In this 2008 sci-fi film, Executive Producer Wim Wenders & Japanese writer/director Kanji Nakajima create a quiet and introspective film that both intrigues the intellect and touches the soul. The film’s pace is exceedingly slow – much like visual poetry – and there are some stunningly beautiful shots in this. It is a thoughtful examination of love, longing, memory, consciousness and, ultimately, spirituality. Comparisons to Duncan Jones’ MOON, Tarkovsky’s STALKER & SOLARIS, and (believe it or not) Spielberg’s A.I. are not out of line and, in many ways, are quite warranted. Some will find the films slow pace a challenge, but for those who are willing to calm their minds and simply let the story play itself out will be rewarded. The script is carefully arranged. The acting is very subtle, but assured. But this film obviously belongs to Nakajima who both weaves a thoughtful tale, but also uses the screen as a canvas to paint imagery that stays with the viewer long after the credits roll. Recommended to those who like a little intellect with their science fiction (and, to be fair, this film is not the “rocket ships and laser pistols” variety of Sci-fi, but rather the “set in the near future” kind) and for those who enjoy un traditional narrative styles. However, it should also be said that THE CLONE RETURNS HOME is a film in which one must pay a great amount of attention. Narrative clues are not spoon-fed to the audience, but rather set in the frame in the hopes you will pick them up (and thereby make the viewing experience that much better). I liked this one a lot!
4 out of 5 stars
~ Thom Carnell
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